.

 

Saturday

A march in February.

On Saturday morning I bundled up in my jacket and scarf and met some friends in Brooklyn. We took the train over to Bryant Park, behind the public library, where we met another friend. At least a dozen people I knew were going.

When we left the subway the air was filled with yells and cheers, and with pre-printed and handmade signs. The crowd was a mix of young and old, dozens of skin colors, thousands of ways of dressing. On 5th Avenue we entered a huge flow of humans, all with a single goal: 49th St. and 1st Avenue. We never got within 20 blocks of it.

For the last months everyone on television, from Colin Powell to George Bush to Fox News, has told me over and over that my gut instincts were wrong. Every day, some new voice urged me to face facts, to accept that this is how it has to be, that the only answer for our continued security and wellbeing is whatever we have to do, always leaving the exact actions and goals disturbingly vague.

Despite this pressure to believe differently, my own instincts haven't changed. So I've become increasingly depressed, feeling more and more distant from the rest of humanity, which, I assumed, wanted to go to war. But here were hundreds of thousands of people, people pouring onto Lexington, people climbing streetlights, people on top of vans. Midtown Manhattan - shut down by peace.

Various snapshots from a protest in New York City: faces, police on horses, people climbing poles, and someone holding up a sign that reads "Make Goat Cheese Not War"

It was a liberating privilege to be one small fleck of protest, one of the blessed millions in 603 cities sharing a moment of empathy and awareness. It was liberating to feel for an entire day that hope, peace, and unity were not childish sentiments. And to feel no sense of competition: the more who came, the stronger we were.

We worked our way past police barricades to 1st Avenue and stood with the tightly packed throng, looking down at the 59th St Bridge, onto which had been hung a huge television screen broadcasting the scene at the speaker's podium. The Roosevelt Island tram went over the bridge every few minutes. At random, people chanted, cheered, and shouted. People handed out leaflets, beat drums, and laughed with one another. Signs with angry and comic slogans swayed in the air. Protesters carrying radios called out the numbers from other cities: “1.5 million in London, 2.5 million in Rome! 1500 in Tel Aviv! 46 at McMurdo station in Antarctica!” And somewhere around 500,000 in New York, an American city that belongs to the world.

.  .  .  .  .  

See also: Bush's March of Folly, an interpretation of the proposed conflict in terms of Barbara Tuchman's The March of Folly; Run From Ground Zero; Waiting for the Bang; Personal.

.  .  .  .  .  

This essay was funded by Oliver, a dog who loves peace.


[Top]

Ftrain.com

PEEK

Ftrain.com is the website of Paul Ford and his pseudonyms. It is showing its age. I'm rewriting the code but it's taking some time.

FACEBOOK

There is a Facebook group.

TWITTER

You will regret following me on Twitter here.

EMAIL

Enter your email address:

A TinyLetter Email Newsletter

About the author: I've been running this website from 1997. For a living I write stories and essays, program computers, edit things, and help people launch online publications. (LinkedIn). I wrote a novel. I was an editor at Harper's Magazine for five years; then I was a Contributing Editor; now I am a free agent. I was also on NPR's All Things Considered for a while. I still write for The Morning News, and some other places.

If you have any questions for me, I am very accessible by email. You can email me at ford@ftrain.com and ask me things and I will try to answer. Especially if you want to clarify something or write something critical. I am glad to clarify things so that you can disagree more effectively.

POKE


Syndicate: RSS1.0, RSS2.0
Links: RSS1.0, RSS2.0

Contact

© 1974-2011 Paul Ford

Recent

Recent Offsite Work: Code and Prose. As a hobby I write. (January 14)

Rotary Dial. (August 21)

10 Timeframes. (June 20)

Facebook and Instagram: When Your Favorite App Sells Out. (April 10)

Why I Am Leaving the People of the Red Valley. (April 7)

Welcome to the Company. (September 21)

“Facebook and the Epiphanator: An End to Endings?”. Forgot to tell you about this. (July 20)

“The Age of Mechanical Reproduction”. An essay for TheMorningNews.org. (July 11)

Woods+. People call me a lot and say: What is this new thing? You're a nerd. Explain it immediately. (July 10)

Reading Tonight. Reading! (May 25)

Recorded Entertainment #2, by Paul Ford. (May 18)

Recorded Entertainment #1, by Paul Ford. (May 17)

Nanolaw with Daughter. Why privacy mattered. (May 16)

0h30m w/Photoshop, by Paul Ford. It's immediately clear to me now that I'm writing again that I need to come up with some new forms in order to have fun here—so that I can get a rhythm and know what I'm doing. One thing that works for me are time limits; pencils up, pencils down. So: Fridays, write for 30 minutes; edit for 20 minutes max; and go whip up some images if necessary, like the big crappy hand below that's all meaningful and evocative because it's retro and zoomed-in. Post it, and leave it alone. Can I do that every Friday? Yes! Will I? Maybe! But I crave that simple continuity. For today, for absolutely no reason other than that it came unbidden into my brain, the subject will be Photoshop. (Do we have a process? We have a process. It is 11:39 and...) (May 13)

That Shaggy Feeling. Soon, orphans. (May 12)

Antilunchism, by Paul Ford. Snack trams. (May 11)

Tickler File Forever, by Paul Ford. I'll have no one to blame but future me. (May 10)

Time's Inverted Index, by Paul Ford. (1) When robots write history we can get in trouble with our past selves. (2) Search-generated, "false" chrestomathies and the historical fallacy. (May 9)

Bantha Tracks. (May 5)

The Moral Superiority of the Streetcar. (1) Long-form journalism fixes everything. (2) The moral superiority of the streetcar. (3) I like big bus and I cannot lie. (May 4)

More...
Tables of Contents